Like Diaz’s other films, Florentina Hubaldo, CTE contains the nuances and challenges of great literrature. It doesn’t beg to be watched in its entirety: its strength is its ability to remain powerful despite the inevitability of missing sequeences due to its length. But since admirers of Diaz never call it length: they call it dimension, the distance from end to end not measured by minutes but by experience, and waiting for the film to unfold is similar to reading a novel without actually, holding one. Diaz turns the pages and they fuel a dying bonfire. Unknown to him, they burn but never turn into ashes.
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